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Tiepolo Pink

By: (Author) Roberto Calasso , (Translated by) Alastair McEwen

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Ksh 2,700.00

Format: Paperback / Softback

ISBN-10: 0241399424

ISBN-13: 9780241399422

Series: Penguin Modern Classics

Publisher: Penguin Books Ltd

Imprint: Penguin Classics

Country of Manufacture: LV

Country of Publication: GB

Publication Date: May 28th, 2020

Print length: 304 Pages

Weight: 478 grams

Dimensions (height x width x thickness): 12.90 x 19.80 x 2.80 cms

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'Tiepolo: the last breath of happiness in Europe'The eighteenth-century Venetian painter Giambattista Tiepolo spent his life creating frescoes that are among the glories of Western art, yet he remains shrouded in mystery. Who was he? And what was the significance of the dark, bizarre etchings depicting sacrifice and magic, which he created alongside his heavenly works? Roberto Calasso explores Tiepolo as the last artist of the ancien régime and at the same time the first example of the "painter of modern life" evoked by Baudelaire. He was the incarnation of that peculiar Italian virtue sprezzatura: the art of not seeming artful. Translated by Alastair McEwen'A brilliant, eccentric, provocative . . . and thoroughly splendid celebration of a great painter' John Banville, The New Republic'Calasso is a myth-maker ... a book that treats paintings as a kind of sorcery' Peter Conrad, Observer

''Tiepolo: the last breath of happiness in Europe''

The eighteenth-century Venetian painter Giambattista Tiepolo spent his life creating frescoes that are among the glories of Western art, yet he remains shrouded in mystery. Who was he? And what was the significance of the dark, bizarre etchings depicting sacrifice and magic, which he created alongside his heavenly works? Roberto Calasso explores Tiepolo as the last artist of the ancien régime and at the same time the first example of the "painter of modern life" evoked by Baudelaire. He was the incarnation of that peculiar Italian virtue sprezzatura: the art of not seeming artful.

Translated by Alastair McEwen

''A brilliant, eccentric, provocative . . . and thoroughly splendid celebration of a great painter'' John Banville, The New Republic

''Calasso is a myth-maker ... a book that treats paintings as a kind of sorcery'' Peter Conrad, Observer


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