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The Oxford Handbook of Opera

By: (Edited by) Helen M. Greenwald

Manufacture on Demand

Ksh 45,100.00

Format: Hardback or Cased Book

ISBN-10: 0195335538

ISBN-13: 9780195335538

Series: Oxford Handbooks

Publisher: Oxford University Press Inc

Imprint: Oxford University Press Inc

Country of Manufacture: US

Country of Publication: GB

Publication Date: Nov 20th, 2014

Print length: 1218 Pages

Weight: 1,970 grams

Dimensions (height x width x thickness): 18.70 x 25.60 x 6.10 cms

Product Classification: Other performing arts
Opera

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The Oxford Handbook of Opera offers a series of trenchant, cutting-edge, and previously unpublished essays on the most important and compelling issues confronting those who think and write about opera. The handbook emphasizes not only operas themselves, but such broad concerns of the discipline as genre, voice, performance, censorship, staging, film, editions, and aesthetics.
What is opera? Contributors to The Oxford Handbook of Opera respond to this deceptively simple question with a rich and compelling exploration of opera''s adaption to changing artistic and political currents. Fifty of the world''s most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators. The synergy of power, performance, and identity recurs thematically throughout the volume''s major topics: "Words, Music, and Meaning"; "Performance and Production"; "Opera and Society"; and "Transmission and Reception." Individual essays engage with repertoire from Monteverdi, Mozart, and Meyerbeer to Strauss, Henze, and Adams in studies of composition, national identity, transmission, reception, sources, media, iconography, humanism, the art of collecting, theory, analysis, commerce, singers, directors, criticism, editions, politics, staging, race, and gender. The title of the penultimate section, "Opera on the Edge," suggests the uncertainty of opera''s future: is opera headed towards catastrophe or have social and musical developments of the last hundred years stimulated something new and exciting-and, well, operatic? In an epilogue to the volume, a contemporary opera composer speaks candidly about opera composition today. The Oxford Handbook of Opera is an essential companion to scholars, educators, advanced students, performers, and knowledgeable listeners: those who simply love opera.

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