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The Dolphin Letters, 1970–1979 : Elizabeth Hardwick, Robert Lowell and Their Circle - Main

By: (Author) Elizabeth Hardwick , (Author) Robert Lowell , (Edited by) Saskia Hamilton

Extended Catalogue

Ksh 6,300.00

Format: Hardback or Cased Book

ISBN-10: 0571357415

ISBN-13: 9780571357413

Edition: Main

Publisher: Faber & Faber

Imprint: Faber & Faber

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Jan 16th, 2020

Print length: 560 Pages

Weight: 1,008 grams

Dimensions (height x width x thickness): 16.40 x 24.30 x 4.50 cms

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The illuminating letters of Elizabeth Hardwick and Robert Lowell, including the dramatic breakup of their 21-year marriage and their extraordinary reconciliation.

WINNER OF THE PEGASUS AWARD FOR POETRY CRITICISM

The Dolphin Letters
offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centred on the letters they exchanged with each other and with other members of their circle – writers, intellectuals, friends and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy and Adrienne Rich – this book has the narrative sweep of a novel, telling the story of the dramatic breakup of Lowell and Hardwick''s twenty-one-year marriage and their extraordinary, but late, reconciliation.

Lowell’s sonnet sequence The Dolphin (for which he controversially adapted Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Women and Literature and Sleepless Nights. Lowell and Hardwick are acutely intelligent observers of marriage, children, friends and the feelings that their personal tribulations gave rise to.

The Dolphin Letters, edited by Saskia Hamilton, is a debate about the limits of art – what occasions a work of art, and what moral and artistic licence artists have to make use of their lives and the lives of others as material. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone around him, and Bishop’s warning that ‘art just isn’t worth that much’ haunts us today.


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