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Textual Shakespeare : Writing and the Word - 2nd ed.

By: (Author) Graham Holderness

Extended Catalogue

Ksh 5,450.00

Format: Paperback / Softback

ISBN-10: 1913087042

ISBN-13: 9781913087043

Edition: 2nd ed.

Publisher: Edward Everett Root Publishers Co. Ltd.

Imprint: Edward Everett Root Publishers Co. Ltd.

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Mar 31st, 2020

Print length: 180 Pages

Weight: 304 grams

Dimensions (height x width x thickness): 13.90 x 21.40 x 1.70 cms

Product Classification: Literary studies: plays & playwrights

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This expanded and much revised new edition is an enlightening reassessment of the Bard in the light of the most recent "revolution" in bibliography and textual studies.

In this expanded and much revised new edition Professor Holderness reassesses the Bard as a writer in the light of the most recent "revolution" in bibliography and textual studies. This has shifted much opinion about the playwright, how he worked, and with whom he collaborated. Yet there remain many unsolved riddles. / This is a book about unresolved (and unresolvable?) questions about Shakespeare, and about writing, creativity and its study. / Professor Holderness reviews the current debates in textual theory and practice. He concludes that "Shakespeare" is not a writer but a collection of documents, none of which can with any certainty be linked to whatever it was the author wanted to say. He goes beyond both traditional and "materialist" bibliography to show that texts are both physical media, made and remade by a series of craftspeople; and rich repositories of changeable meaning. / According to modern literary studies all texts are copies, always already changed, and there are no "originals". Editors are translators; and scholars and critics rewrite the writing they study. The book advocates a recovery of ancient concepts such as creativity and imagination, together with a recognition of the technical and essentially collaborative nature of all writing. Shakespeare is then situated within this theoretical context, via a brief history of the plays'' textual reproduction. / A series of chapters on individual plays provides illustrative examples of such textual activities in practice. The book concludes that all Shakespeare scholarship, editing and criticism are devoted to a quest for something missing: not the lost manuscript (which even if recovered would not in any case answer all our questions), but rather the absence that writing always invokes.

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