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Sicilian Elements in Andrea Camilleri's Narrative Language : A Linguistic Analysis

By: (Author) Cinzia Russi

Manufacture on Demand

Ksh 19,450.00

Format: Hardback or Cased Book

ISBN-10: 1683932781

ISBN-13: 9781683932789

Publisher: Fairleigh Dickinson University Press

Imprint: Fairleigh Dickinson University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 15th, 2020

Print length: 286 Pages

Weight: 594 grams

Dimensions (height x width x thickness): 22.90 x 16.00 x 2.80 cms

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Sicilian Elements in Andrea Camilleri's Narrative Language examines Camilleri’s unique linguistic repertoire provides a systematic analysis of the distribution of Sicilian features in selected historical and mystery (Montalbano) novels, and assesses their function as indices of salient aspects of topics, settings and characters.

Sicilian Elements in Andrea Camilleri’s Narrative Language examines Camilleri’s unique linguistic repertoire and techniques over his career as a novelist. It focuses on the intensification of Sicilian linguistic features in Camilleri’s narrative works, in particular features pertaining to the domains of sounds and grammar, since these have been marginalized in linguistic-centered research on the evolution of Camilleri’s narrative language and remain overall understudied. Through a systematic comparative analysis of the distribution patterns of selected Sicilian features in a selection of Camilleri’s historical novels and novels of the Montalbano series, the author identifies the individual features that have become most widespread and the lexical items that are targeted with highest frequency and consistency. The results of the analysis show that in the earlier novels, Sicilian features are rather sparse and can be attributed to linguistic situational functionality; that is, they function as indices of salient, distinctive aspects of topics, settings, events/situations, and characters. Conversely, in the latest novels, Sicilian elements pervade the entire novels and the texts are written almost entirely in Camilleri’s own Sicilian, vigatese, so that Sicilian is stripped of any linguistic situational functionality.


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