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Shakespeare, Authority, Sexuality : Unfinished Business in Cultural Materialism

By: (Author) Alan Sinfield

Manufacture on Demand

Ksh 7,900.00

Format: Paperback / Softback

ISBN-10: 0415402360

ISBN-13: 9780415402361

Series: Accents on Shakespeare

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Jun 30th, 2006

Print length: 238 Pages

Weight: 302 grams

Dimensions (height x width x thickness): 13.90 x 21.60 x 1.80 cms

Product Classification: Shakespeare studies & criticism

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  • Reviews

This reassessment of cultural materialism as a way of understanding textuality, history and culture, has been written by one of the founding figures of this critical movement. It will produce new challenges for the field of Renaissance Studies.

Shakespeare, Authority, Sexuality is a powerful reassessment of cultural materialism as a way of understanding textuality, history and culture, by one of the founding figures of this critical movement. Alan Sinfield examines cultural materialism both as a body of ongoing argument and as it informs particular works by Shakespeare and his contemporaries, especially in relation to sexuality in early-modern England and queer theory.

The book has several interlocking preoccupations:

  • theories of textuality and reading
  • the political location of Shakespearean plays and the organisation of literary culture today
  • the operation of state power in the early-modern period and the scope for dissidence
  • the sex/gender system in that period and the application of queer theory in history.

These preoccupations are explored in and around a range of works by Shakespeare and his contemporaries. Throughout the book Sinfield re-presents cultural materialism, framing it not as a set of propositions, as has often been done, but as a cluster of unresolved problems. His brilliant, lucid and committed readings demonstrate that the ‘unfinished business’ of cultural materialism - and Sinfield’s work in particular - will long continue to produce new questions and challenges for the fields of Shakespeare and Renaissance Studies.


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