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Photography Performing Humor

By: (Edited by) Liesbeth Decan , (Edited by) Mieke Bleyen

Extended Catalogue

Ksh 6,750.00

Format: Paperback / Softback

ISBN-10: 9462701652

ISBN-13: 9789462701656

Series: Lieven Gevaert Series

Publisher: Leuven University Press

Imprint: Leuven University Press

Country of Manufacture: BE

Country of Publication: GB

Publication Date: Mar 6th, 2019

Print length: 216 Pages

Weight: 648 grams

Dimensions (height x width x thickness): 17.30 x 23.00 x 1.60 cms

Product Classification: Theory of art
Photography & photographs

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The vital role of humor in photography

New perspectives on humor within photography
Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its “shattering” qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices.

With artists’ pages from Paulien Oltheten, Lieven Segers and David Helbich

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Contributors: Kevin Atherton (National College of Art and Design, Dublin), Anna Corrigan and Susana S. Martins (Universidade NOVA de Lisboa), Hilde D’haeyere (KASK School of Arts of University College Ghent), Heather Diack (University of Miami), Louis Kaplan (University of Toronto), Ann Kristin Krahn (Braunschweig University of the Arts), Sandra Križić Roban (Institute of Art History, Zagreb), Esther Leslie (Birkbeck University of London), Johan Pas (Royal Academy of Fine Arts, Antwerp), Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel)


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