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Philosophical Aesthetics and the Sciences of Art

By: (Edited by) Aaron Meskin , (Edited by) Gregory Currie , (Edited by) Margaret Moore , (Edited by) Matthew Kieran

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Ksh 5,050.00

Format: Paperback / Softback

ISBN-10: 1107654580

ISBN-13: 9781107654587

Series: Royal Institute of Philosophy Supplements

Publisher: Cambridge University Press

Imprint: Cambridge University Press

Country of Manufacture: US

Country of Publication: GB

Publication Date: Dec 18th, 2014

Print length: 272 Pages

Weight: 386 grams

Dimensions (height x width x thickness): 23.20 x 15.20 x 1.60 cms

Product Classification: Philosophy: aesthetics

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This collection of essays, originating in a conference at the Leeds Art Gallery in 2012, reviews the role of empirical enquiry in philosophical aesthetics. Contributions address aesthetic testimony, the processing and appreciation of poetry, creativity, musical cognition, the aesthetics of disgust and evolutionary constraints on art appreciation.
Musical listening, looking at paintings and literary creation are activities that involve perceptual and cognitive activity and so are of interest to psychologists and other scientists of the mind. What sorts of interest should philosophers of the arts take in scientific approaches to such issues? Opinion currently ranges across a spectrum, with ''take no notice'' at one end and ''abandon traditional philosophical methods'' at the other. This collection of essays, originating in a Royal Institute of Philosophy conference at the Leeds Art Gallery in 2012, represents many of the most interesting positions along that spectrum. Contributions address issues concerning aesthetic testimony, the processing and appreciation of poetry, the aesthetics of disgust, imagination, genre, evolutionary constraints on art appreciation, creativity, musical cognition and the limitations or productiveness of empirical enquiry for philosophical aesthetics.

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Mind, Body, & Spirit