A long overdue re-assessment of the Neapolitan painter Paolo de Matteis, this volume examines the artist's most significant works and shows how posterity's impression of him has been conditioned by a biased biographical and literary tradition. More than just a novel approach to de Matteis, however.
This volume represents a long overdue reassessment of the Neapolitan painter Paolo de Matteis, an artist largely overlooked in English language scholarly publications, but one who merits our attention for the quality of his work and the originality of its iconography, as well as for his remarkable ability to respond creatively to his patrons aesthetic ideals and agendas. Following a meticulous examination of the ways in which posteritys impression of de Matteis has been conditioned by a biased biographical and literary tradition, Livio Pestilli devotes rich, detailed analyses to the artists most significant paintings and drawings. More than just a novel approach to de Matteis and the Neapolitan Baroque, however, the book makes a significant contribution to the study and understanding of early eighteenth-century European art and cultural history in general, not only in Naples but in other major European centers, including Paris, Vienna, Genoa, and Rome.
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