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Ohne Worte : Vocality and Instrumentality in 19th-Century Music

By: (Author) Douglass Seaton , (Author) Edoardo Torbianelli , (Author) Hubert Mossburger , (Author) Jeanne Roudet , (Author) Jean-Pierre Bartoli , (Edited by) William Brooks

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Ksh 5,650.00

Format: Paperback / Softback

ISBN-10: 9058679985

ISBN-13: 9789058679987

Series: Collected Writings of the Orpheus Institute

Publisher: Leuven University Press

Imprint: Leuven University Press

Country of Manufacture: BE

Country of Publication: GB

Publication Date: Nov 12th, 2014

Print length: 100 Pages

Weight: 450 grams

Dimensions (height x width x thickness): 15.10 x 24.30 x 1.60 cms

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What can music tell us—without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today?

The musical thought and practice of canonical composers
What can music tell us—without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today?
In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors
Jean-Pierre Bartoli (Université Paris–Sorbonne), Hubert Moßburger (Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Université Paris–Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Künste Bern)


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