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My Life in Art

By: (Author) Konstantin Stanislavski , (Translated by) Jean Benedetti

Manufacture on Demand

Ksh 8,950.00

Format: Hardback or Cased Book

ISBN-10: 0415436575

ISBN-13: 9780415436571

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 7th, 2008

Print length: 518 Pages

Weight: 912 grams

Dimensions (height x width x thickness): 23.40 x 15.40 x 3.40 cms

Product Classification: Biography: arts & entertainment

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The first ever publication of Stanislavski’s complete and unabridged autobiography, this superb translation by Jean Benedetti – containing fifty photos illustrating his eventful life – is essential reading for scholars, practitioners and students as it is one of the classic actor/director account of life in the theatre.

Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov''s The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin''s Soviet Union.

Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to ''impossible'' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926.

Now, for the first time, translator Jean Benedetti brings us Stanislavski''s complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.


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