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Music in the British Provinces, 1690–1914

By: (Author) Peter Holman , (Edited by) Rachel Cowgill

Manufacture on Demand

Ksh 27,000.00

Format: Hardback or Cased Book

ISBN-10: 0754631605

ISBN-13: 9780754631606

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 28th, 2007

Print length: 428 Pages

Weight: 771 grams

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Covers the period dating from Purcell to Elgar, which is traditionally seen as a dark age in British musical history. This book concentrates specifically on musical life in the provinces, bringing together archival research and offering a fresh perspective on British music of the period.
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

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