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Music and the Ineffable

By: (Author) Vladimir Jankelevitch , (Translated by) Carolyn Abbate

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Ksh 9,350.00

Format: Hardback or Cased Book

ISBN-10: 0691090475

ISBN-13: 9780691090474

Publisher: Princeton University Press

Imprint: Princeton University Press

Country of Manufacture: US

Country of Publication: GB

Publication Date: Jul 28th, 2003

Print length: 200 Pages

Weight: 412 grams

Dimensions (height x width x thickness): 22.50 x 14.60 x 1.70 cms

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Deals with classical issues in the philosophy of music, including metaphysics and ontology. This book argues that music is not a hieroglyph, nor a language or sign system. It argues that music is 'ineffable', because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains.

The classic work on the philosophy of music—now available in English to a new generation of readers

Vladimir Jankélévitch left behind a remarkable œbody of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense.

Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch''s singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.


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