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Museums of World Religions : Displaying the Divine, Shaping Cultures

By: (Author) Charles Orzech

Extended Catalogue

Ksh 6,100.00

Format: Paperback / Softback

ISBN-10: 1350267139

ISBN-13: 9781350267138

Series: Bloomsbury Studies in Material Religion

Publisher: Bloomsbury Publishing PLC

Imprint: Bloomsbury Academic

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 18th, 2021

Print length: 224 Pages

Weight: 354 grams

Dimensions (height x width x thickness): 15.70 x 23.50 x 1.50 cms

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Critically examining the notion of ‘world religions’, Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions. Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.

Critically examining the notion of ‘world religions’, Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions.

From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions.

Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.


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