The third and final book in the Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon.
Very little is known about Francis Bacons early career, but this third installment in the Bacon estates groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacons collectionincluding the diaries of Bacons first two patrons and an extensive number of records kept by Bacons doctor, Paul Brasshas allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artists formative years than ever before and revolutionize existing perceptions of Bacons character and psychology.Essays by Sarah Whitfield, Joyce Townsend, and Christopher Bucklow draw on biographical details of the artists life and technical analysis of his work. Utilizing this more traditional, art-historical approach, these scholars examine the complex relationships between Bacon and his peers and offer new insights into the artists methods and the system of metaphors within his paintings. This fascinating collection of scholarship will interest anyone looking to learn more about Francis Bacon, contemporary art, or the artistic imagination.
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