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Indian Renaissance : British Romantic Art and the Prospect of India

By: (Author) George H. Gilpin , (Author) Hermione de Almeida

Manufacture on Demand

Ksh 11,050.00

Format: Paperback / Softback

ISBN-10: 1138266361

ISBN-13: 9781138266360

Series: British Art and Visual Culture since 1750 New Readings

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 7th, 2016

Print length: 352 Pages

Weight: 1,086 grams

Dimensions (height x width x thickness): 22.90 x 25.80 x 2.10 cms

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Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism.
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D''Oyly, William Blake, J. M. W. Turner and George Chinnery.

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