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Heavy Metal Music and the Communal Experience

By: (Edited by) Florida International University Varas-Diaz Nelson , (Edited by) Niall W.R. Scott

Manufacture on Demand

Ksh 7,000.00

Format: Paperback / Softback

ISBN-10: 1498506402

ISBN-13: 9781498506403

Publisher: Bloomsbury Publishing Plc

Imprint: Lexington Books

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Aug 6th, 2019

Print length: 230 Pages

Weight: 354 grams

Dimensions (height x width x thickness): 21.80 x 15.30 x 1.70 cms

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The book critically examines the issue of community formation in metal music. Via theoretical reflections on communal formation and empirical research in the field, scholars interested in extreme music and community formation will become familiar with this particular collective experience, now prevalent throughout the world.
It is common to hear heavy metal music fans and musicians talk about the “metal community”. This concept, which is widely used when referencing this musical genre, encompasses multiple complex aspects that are seldom addressed in traditional academic endeavors including shared aesthetics, musical practices, geographies, and narratives. The idea of a “metal community” recognizes that fans and musicians frequently identify as part of a collective group, larger than any particular individual. Still, when examined in detail, the idea raises more questions than answers. What criteria are used to define groups of people as part of the community? How are metal communities formed and maintained through time? How do metal communities interact with local cultures throughout the world? How will metal communities change over the lifespan of their members? Are metal communities even possible in light of the importance placed on individualism in this musical genre? These are just some of the questions that arise when the concept of “community” is used in relation to heavy metal music. And yet in the face of all these complexities, heavy metal fans continue to think of themselves as a unified collective entity.This book addresses this notion of “metal community” via the experiences of authors and fans through theoretical reflections and empirical research. Their contributions focus on how metal communities are conceptualized, created, shaped, maintained, interact with their context, and address internal tensions. The book provides scholars, and other interested in the field of metal music studies, with a state of the art reflection on how metal communities are constituted, while also addressing their limits and future challenges.

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