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Fragonard's Progress of Love

By: (Author) Alan Hollinghurst , (Author) Xavier F. Salomon

Re-Printing

Ksh 4,500.00

Format: Hardback or Cased Book

ISBN-10: 1911282980

ISBN-13: 9781911282983

Series: Frick Diptych

Publisher: D Giles Ltd

Imprint: D Giles Ltd

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 1st, 2022

Print length: 112 Pages

Weight: 608 grams

Dimensions (height x width x thickness): 19.90 x 24.10 x 1.60 cms

Product Classification: Individual artists, art monographs

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Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer

An essay by Xavier F. Salomon paired with a contribution by award-winning novelist Alan Hollinghurst bring to life Jean-Honoré Fragonard’s (1732–1806) Progress of Love, a series of fourteen paintings considered by many to be the artist’s masterpiece. The paintings were commissioned in 1771 for the comtesse du Barry, to be installed in 1772 in Louveciennes, the pavilion outside Paris built for her by her lover, Louis XV. By 1773 the canvases, The Pursuit, The Meeting, The Lover Crowned, and Love Letters, had been rejected by Du Barry and returned to the artist. In 1790 Fragonard moved the canvases to his cousin’s house, the Villa Maubert, in Grasse, and over the course of the year painted ten additional panels: two large-scale works,

Love Triumphant and Reverie; four narrow “strips” depicting hollyhocks, and four overdoors of putti. Sold by the Maubert estate to the dealer Agnew’s in 1898, the works were later purchased in February 1915 by the industrialist Henry Clay Frick. By May 1916 the panels were installed at Frick’s new mansion in New York in the present-day Fragonard Room in The Frick Collection.

An essay by Xavier F. Salomon paired with a contribution by award-winning novelist Alan Hollinghurst bring to life Jean-Honoré Fragonard’s (1732–1806) Progress of Love, a series of fourteen paintings considered by many to be the artist’s masterpiece. The paintings were commissioned in 1771 for the comtesse du Barry, to be installed in 1772 in Louveciennes, the pavilion outside Paris built for her by her lover, Louis XV. By 1773 the canvases, The Pursuit, The Meeting, The Lover Crowned, and Love Letters, had been rejected by Du Barry and returned to the artist. In 1790 Fragonard moved the canvases to his cousin’s house, the Villa Maubert, in Grasse, and over the course of the year painted ten additional panels: two large-scale works,Love Triumphant and Reverie; four narrow “strips” depicting hollyhocks, and four overdoors of putti. Sold by the Maubert estate to the dealer Agnew’s in 1898, the works were laterpurchased in February 1915 by the industrialist Henry Clay Frick. By May 1916 the panels were installed at Frick’s new mansion in New York in the present-day Fragonard Room in The Frick Collection.

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