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David Askevold : Once Upon a Time in the East

By: (Edited by) David Diviney

Extended Catalogue

Ksh 7,000.00

Format: Hardback or Cased Book

ISBN-10: 0864926596

ISBN-13: 9780864926593

Publisher: Goose Lane Editions

Imprint: Goose Lane Editions

Country of Manufacture: CA

Country of Publication: GB

Publication Date: Sep 30th, 2011

Print length: 146 Pages

Weight: 896 grams

Dimensions (height x width x thickness): 26.70 x 21.60 x 1.60 cms

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David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre's formative texts and exhibitions. This illustrated volume takes readers on an eclectic journey through the various strains of Askevold's pioneering practice — sculpture/installation, film and video, photography and photo-text works, and digital imagery. David Askevold moved from Kansas City to Halifax in 1968 to lecture at the Nova Scotia College of Art and Design. During the early 1970s, his famous Projects Class brought such artists as Sol Lewitt, Vito Acconci, John Baldessari, Dan Graham, and Lawrence Weiner to work with his students, focusing critical attention on his adopted city and on his own unorthodox approach to making art. He quickly became on one of the most important conceptual artists practicing in Canada and throughout his career he remained at the vanguard of contemporary practice. David Askevold: Once Upon a Time in the East features essays by celebrated writer-curators Ray Cronin, Peggy Gale, Richard Hertz (author of The Beat and the Buzz), and Irene Tsatsos as well as several of Askevold's contemporaries including Aaron Brewer, Tony Oursler, and Mario Garcia Torres. It accompanies an exhibition that will open at the National Gallery of Canada in October 2011 and will tour thereafter to the Confederation Centre of the Arts in Charlottetown and the Art Gallery of Nova Scotia in Halifax.

David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York''s MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre''s formative texts and exhibitions.

This illustrated volume takes readers on an eclectic journey through the various strains of Askevold''s pioneering practice — sculpture/installation, film and video, photography and photo-text works, and digital imagery. David Askevold moved from Kansas City to Halifax in 1968 to lecture at the Nova Scotia College of Art and Design.

During the early 1970s, his famous Projects Class brought such artists as Sol Lewitt, Vito Acconci, John Baldessari, Dan Graham, and Lawrence Weiner to work with his students, focusing critical attention on his adopted city and on his own unorthodox approach to making art. He quickly became on one of the most important conceptual artists practicing in Canada and throughout his career he remained at the vanguard of contemporary practice.

David Askevold: Once Upon a Time in the East features essays by celebrated writer-curators Ray Cronin, Peggy Gale, Richard Hertz (author of The Beat and the Buzz), and Irene Tsatsos as well as several of Askevold''s contemporaries including Aaron Brewer, Tony Oursler, and Mario Garcia Torres. It accompanies an exhibition that will open at the National Gallery of Canada in October 2011 and will tour thereafter to the Confederation Centre of the Arts in Charlottetown and the Art Gallery of Nova Scotia in Halifax.


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