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Choreographing Agonism : Politics, Strategies and Performances of the Left - 2021 ed.

By: (Author) Goran Petrovic-Lotina

Extended Catalogue

Ksh 18,000.00

Format: Hardback or Cased Book

ISBN-10: 3030794458

ISBN-13: 9783030794453

Edition: 2021 ed.

Publisher: Springer Nature Switzerland AG

Imprint: Springer Nature Switzerland AG

Country of Manufacture: CH

Country of Publication: GB

Publication Date: Oct 16th, 2021

Print length: 186 Pages

Weight: 380 grams

Dimensions (height x width x thickness): 15.30 x 21.60 x 2.00 cms

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  • Reviews

In Choreographing Agonism, author Goran Petrovic Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovic Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ‘agonistic choreo-political practice,’ a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a boldand innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.

In Choreographing Agonism, author Goran Petrović Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrović Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics.

Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ''agonistic choreo-political practice,'' a powerful strategy for mobilising alternative ways of living together and invigorating democracy.

Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.


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