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Abstract Expression and Beyond : American Painting in the Collection Reinhard Ernst

By: (Edited by) Wiesbaden Reinhard & Sonja Ernst Stiftung

Not yet Published

Ksh 9,000.00

Format: Hardback or Cased Book

ISBN-10: 377743874X

ISBN-13: 9783777438740

Publisher: Hirmer Verlag

Imprint: Hirmer Verlag

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 27th, 2025

Print length: 270 Pages

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This lavishly illustrated publication shows outstanding works of post-war American art prior to the opening of the Museum Reinhard Ernst in Wiesbaden. From Josef Albers via Helen Frankenthaler to Andy Warhol and Julian Schnabel, they illustrate the impressive variety of abstract positions on the other side of the Atlantic. The multifaceted wealth of some 70 years of American abstraction offers a glimpse of influential individual works and groups of artists like the New York School and the Washington Color School. The expressive interplay of forms confronts rigorous geometric compositions; picturesque works enter into a dialogue with sculptural objects. Despite their diversity, the 110 works by 45 artists emphasise above all a great delight in colour.
Draws from a new museum collection to trace seventy years of abstract painting in the United States.
 
From the color field paintings of Helen Frankenthaler to the plate-paintings of Julian Schnabel, this catalog showcases an outstanding variety of postwar art in the United States. Featuring pieces from the Museum Reinhard Ernst in Wiesbaden, a new institution devoted to abstract art, the book charts the evolution of postwar abstraction, offering insight into influential figures as well as groups like the New York School and the Washington Color School. More than one hundred color illustrations reproduce work by forty-five influential artists, including Josef Albers, Adolph Gottlieb, Franz Kline, Willem de Kooning, Lee Krasner, Robert Motherwell, Jackson Pollock, Frank Stella, and Andy Warhol. Together, their works demonstrate the variety of aesthetics and approaches within abstraction—improvisational forms confront rigorous geometric compositions, pictures enter into dialogue with sculptural objects, and paint and color conjure the sublime.

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